
State Radio is back with their third studio album "Let It Go", and it is time for rejoicing. Coming on the heels of two very strong albums "Us Against the Crown" and "Year of the Crow", my expectations were very high for this follow up. Thankfully, the band has answered the call and put out a disc that features their trademark variety in style and lyrical content. This album reaffirms my thought that former Dispatch member and State Radio front man Chad Urmston can do no wrong. Let It Go is a musical exploration of style that covers every style from reggae to ska to just plain balls out rock. Overall is a fantastic listen and measures up with some of their best work in the studio. On to the song by song analysis.
1)
Mansin Humanity - This cleverly titled hard rocker (get it? Man's Inhumanity) is a blazing way to kick off the album. With intense guitar riffs and vocal cord shredding screams, it establishes right out the gate that State Radio is not messing around with this effort. The melodic verses are a good compliment to the heavy instrumental breaks and cause this tune to hearken back to the Dispatch classic "Even". The raw production style we are introduced to on this track (and subsequently the whole album) manages to capture a live feel that the band hasn't been able to quite get right in the studio. Great opening track.
9.5/102)
Calling All Crows - Things get a little lighter on the second track with this catchy reggae number. Lead singer Chad Urmston belts out lyrics about rebels and revolutionaries in an infectiously singalong manner. Some cool studio effects such as a background melodica add to the mood of the song and compliment the smooth bass groove from Chuck Fay nicely. Overall, Crows is a nice catchy number that, although not mind blowing, keeps the album moving along in an effective way.
7.5/103)
Dr. Ron, the Actor - Holy. Shit. This toe-tapping ska number is a huge highlight here. Beginning with a recorded voicemail from the mentally challenged man it was written for, Dr. Ron begins slowly and then explodes into a catchy rager that you can't get out of your head. The song has a little bit of everything; great lyrics, a soulful guitar solo, and a fantastic rythm section performance. You won't be able to stop singing along and lines like "Even if you're bleeding/never stop believing that we all live free or die" will stick with you for some time.
10/104)
Arsenic & Clover - This song brings a bit more of an angst ridden edge to it, not much unlike the songs on the band's last album "Year of the Crow". Riddled with interesting lyrics such as "Thou shall not want all that is within me", this one reminds me alot of a song like "Uncertain" and it fits in strongly with the rest of the album. There is alot of energy in the recording and Chuck Fay once again kills it on the bass.
8/105)
Bohemian Grove - This straight up reggae number is different from many of State Radio's other forays into the genre. Instead of being upbeat like "Right Me Up" or "Calling All Crows", it is decidedly darker, much like "Legacy of Margaret Brown". Featuring some of the more politically charged lyrics on the album, "Grove" plots it's way along slowly as it builds towards a soaringly melodic chorus. It's definitely a good song, but I feel like there isn't enough going on at times. The slow pace and lack of musical changes bring it down a bit for me despite the very strong lyrical content.
7/106)
Knights of Bostonia - A straight up ball of energy, "Knights" follows the path that was paved by bands such as the Pogues or Dropkick Murphy's. It feels like a great irish drinking song and it is amazingly fun to listen to. It's the type of tune that might not have amazing replay value on record, but it is still fantastic. While I doubt I will listen to the studio version much unless I'm in the mood to rage while throwing back whiskey shots, this song will undoubtedly be a blast in the live setting, much like "The Diner Song".
8/107)
Let It Go - The title track of the album is a very intriguing song. It feels like a constant build up during the verses and then explodes with a chorus that simply repeats the desperate plea "Let It Go" over and over again. It is a quick song that has its place on the disc, but isn't the most memorable song you'll ever hear. Lyrically however it is classic Chad and I can certainly see why the band thought that the song's content would be worthy of gracing the album's cover and title.
7.5/108)
Evolution - Another completely reggae song, this one is very soulful but missing something. It isn't as musically diverse as alot of other State Radio songs and almost feels like a work still in progress. I don't hate it, but I don't think it is all that good either. Definitely the weakest song on the album.
5/109)
Held Up by the Wires - There is only one way to describe this song: A fuckin' TEN. After missing the cut on the first two albums, "Held Up" shows up in stellar form. Being one of State Radio's oldest songs, I have heard many live versions before hearing the studio cut. I thought a studio version was bound to dissapoint in some manner after such a long wait. Boy was I wrong. Everything about this track is perfect. The heavy handed lyrics, the dark and haunting feel, the huge guitar sounds, and the stunning vocal performance make this track a killer. This is without a doubt the best track on the album, and one of the best songs the band has ever recorded.
10/1010)
Blood Escaping Man - Another older song that has been played live for a number of years, "BEM" is a strong highlight on the record. The track exudes energy and also features a very nice harmonica part from Chad that serves as a good musical break. The subtle lyrical references to The Odyssey are clever and very thought provoking. I had high expectations for this recording, considering I have loved this song for quite sometime, and it did not dissapoint me. Very good song and a very energetic studio cut.
9/1011)
Still & Silent - Being one of the few songs that I had not heard before the album's release, I was very interested in taking a listen to this one. I have to say that it was better than I ever thought it would be. Starting with a slow piano intro, the song builds up to a great wailing climax that concludes with powerful vocals from Chad where he poses the question "How can we stay still and silent". It is a very fitting way to finish a great album and leaves you wanting more State Radio.
9/1012)
Reggae Indian Moon - Ask for more and you shall receive. This hidden track is a very loose alternate take on the powerful acoustic number from "Us Against the Crown". It is a fun and different interpretation of the song, but it is nothing to write home about. As a bonus track, it is an uplifting and pleasing way to finish listening and will be something I'll give a spin every once in a while.
7/10Overall, "Let It Go" is an album you will want to listen to over and over again and will surely withstand the test of time. There are a number of classic tracks on here and practically no filler. State Radio has proved once again that they are one of the best bands around today. If only more people were aware of their greatness...